I, Object
![Arthur Koo-ekka Pambegan Jr, Wik-Mungkan people, Australia b.1936 d.2010 / Untitled IV [Walken-Aw (Bonefish Story Place) and Kalben (Sacred place in the Flying Fox Story Place) Design] 2007 / Natural pigments with acrylic binder on linen / 108 x 175cm / Purchased 2008. The Queensland Art Gallery Foundation Grant / Collection: Queensland Art Gallery | Gallery of Modern Art / © Estate of the artist; and Alair Pambegan](https://cdn.sanity.io/images/m2obzhc2/production/e13f43f2aef59581b390251294324bece54ca292-1920x1184.jpg?rect=0,121,1920,942&w=320&h=157&q=90&fit=crop)
Arthur Koo-ekka Pambegan Jr, Wik-Mungkan people, Australia b.1936 d.2010 / Untitled IV [Walken-Aw (Bonefish Story Place) and Kalben (Sacred place in the Flying Fox Story Place) Design] 2007 / Natural pigments with acrylic binder on linen / 108 x 175cm / Purchased 2008. The Queensland Art Gallery Foundation Grant / Collection: Queensland Art Gallery | Gallery of Modern Art / © Estate of the artist; and Alair Pambegan / View full image
When
7 Aug 2020 – 29 Aug 2021
Where
Gallery of Modern Art & Gallery 3.5
About
‘I, object’ looks at the many complex relationships Indigenous Australian artists have to objects: from the histories informing their creation, to the social and cultural consequences of their collection.
Many Indigenous people consider their cultural objects akin to family or a part of themselves – a physical, tangible product of their cultural inheritances. Throughout the world many museums hold important Indigenous cultural material. These are considered ancestors by many, and are a great source of pride and inspiration. However, their multi-generational housing in public and private collections, is also a great source of cultural loss and trauma.
View works that celebrate the survival of sculptural traditions, works that witness a revival of regional Queensland mark making traditions that has its roots in collected objects, and works that mourn the loss of cultural strength or life when objects are removed from their origin communities. Together, these works and artists help to reshape the ways we relate to objects and a history of objectification.